What Would These 15 Celebs Look Like If They Were Styled by Colour Analysis?

Have you ever wondered if some of the biggest celebrities use the color analysis method to build their stylish looks? Do they hire experts to tell them what color suits them best and which one washes them out?

There’s an Instagram account, Style Synergy Studio, that takes A-listers and reimagines them through the lens of color analysis and their “season.” The results? Honestly, a glow-up that sometimes feels like sorcery. In other cases, we think that breaking the rules like these celebs do actually achieves a more striking and memorable look. Here’s the gist of how some of our favorite stars would transform when styled in harmony with their palettes.

Sydney Sweeney

Sydney is a Light Spring, so muted shades dim her sparkle. When she’s in peachy blush, golden tones, and fresh metallics, with brightened hair and softer makeup, her natural glow takes over. The result? Radiant, elevated, and totally in sync with her coloring.

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Miley Cyrus

Miley’s edgy platinum look is fun, but her Soft Summer palette calls for cooler, muted tones. Imagine her with ash-brunette hair, rose lips, fresh blush, and a sage-green gown—suddenly her blue eyes pop, and she looks polished without losing her rock edge.

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Jennifer Aniston

Jen is always styled as California “Spring.” She’s known for her golden tan, honey hair, and bronzy makeup. But apparently she’s a Soft Summer and cooler shades would give her a softer, more natural glow. Proof that even Rachel Green can use a reset.

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Nicole Kidman

Nicole often goes for sharp and dark looks, which are great at bringing the drama. But according to the color analysis method, she’d look even more elegant and effortless in softer and warmer shades.

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Anya Taylor-Joy

Anya is a Winter, so those golden-blonde wigs and warm metallics are working against her. With deep cool hair, berry lips, cobalt-blue gowns, and sharper contrast in her makeup, her striking features finally take center stage. It’s less costume, more queen.

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